![]() Video vixens are believed to be the reinforcement of these negative stereotypes placed upon black women. ![]() She explains in her article "The Exploitation Of Women Of Color In Music Videos Needs To End" how black women are deemed sexual beings due to their physical features. The topic of video vixens have created a lot of debate on the representation of Black women, such as author Faatimah Soloman’s argument that it has contributed to the hyper-sexualization of black women. Another hip hop model, Candace Smith, said in an XXL interview, "what I've seen on sets is complete degradation." The video vixens' effect on Black women And her referencing of other vixens was an act of forcing her narrative on their experience. They explained how their experience wasn’t the same as hers and how she was essentially a nobody until the book was released. Steffans is just one example of a vixen and because of this vixens such as Gloria Velez and Melyssa Ford had a problem with her book. Her book was set as the standard vixen experience by society because it was believed to confirm people's speculations about the industry. Karrine Steffans was one of a few who decided to share her personal experience as a vixen with the world. The book's publisher describes it as "part tell-all, part cautionary tale." The book went on to be a best seller in the US. In 2005, former hip hop music video model Karrine Steffans authored the book Confessions of a Video Vixen, in which she depicts the degradation of women in the world of hip hop. While some people pointed out that the women who appeared in Nelly's video voluntarily chose to participate, others insisted that male rappers continue to sexually objectify hip hop models while denying that the hip hop artists' career is, at least in part, based on the exploitation of other people. In 2004, Nelly's video for his song " Tip Drill" came under particular criticism for its depiction and sexual objectification of women. Models are depicted as sexual objects, signs of male power, and the use of derogatory language towards women such as “bitch” and “slut” by artist contributes to the narrative that women are the inferior sex. These authors believe that these depictions place male artists in positions of power which they say contribute to the representation of males as the dominant gender. Meagan Ford, Stephanie Stevenson, Kate Conrad, Travis Dixon, and Yuanyuan Zhang express concern on how video vixens are placed in subordinate and submissive roles while often depicted as sexual objects. The work of video vixens and their portrayal in music videos have drawn criticism. Teeth, who in the documentary also mentions how these women "had the curves, she had the face, and she looked like the chick that was around the way that you could get at." Social aspect This concept sold because "the males wanted to see that and the girls wanted to be that." This statement is made by music video director Dr. The women not only had to please the directors and artists as they were also meant to please the audience. The vixens were there to complete the male artist persona of having lots of money and lots of women available to them. According to Meagan Ford it is an opportunity for women to use their features and sexuality in order to create wealth. The video vixen is believed to be the modernization of the Jezebel stereotype. The term jezebel is used in reference to a hyper-sexual woman she often is someone who is depicted as sexually promiscuous and uses her body to get what she wants. The concept of the video vixen is seen to derive from the historical Jezebel stereotype that is typically placed upon black women. It wasn't until the late 1990s when the women came to the center of many videos. At this time women were used to create sex appeal in music videos while still being in the background. The video vixen is believed to have arrived around the late 80s when hip-hop was starting to take over as its own genre in the music industry. Artists and vixens have been criticized for allegedly contributing to the social degradation of black women. Many video vixens are aspiring actors, singers, dancers, or professional models. The video vixen first came around in the late 1980s when the hip-hop culture began to emerge into its own lifestyle, although was most popular in American popular culture during the 1990s and 2000s. From the 1990s to the early 2010s, the video vixen image was a staple in popular music, particularly within the genre of hip hop. Ī video vixen (also referred to as a hip hop honey or video girl ) is a female model who appears in hip hop-oriented music videos. In her early career, Minaj was often described as a video vixen.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |